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Stulta Auricula

Stulta Auricula

1:37	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	22	4	10	3	95%
	23	3	9	2	95%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	22	4	10	3	95%
	23	3	9	2	95%
Soprano	14	5	5	4	87%
Alto	10	0	3	4	86%
Tenor	12	4	4	4	85%
Bajo	15	1	6	4	84%

Stulta Auricula

1:36	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	11	0	1	4	100%
Contrabajo	11	1	1	4	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	11	0	1	4	100%
Contrabajo	11	1	1	4	95%
Viola	9	0	1	4	95%
Violonchelo	12	7	2	4	95%
Alto	11	0	2	4	63%
Soprano	8	0	0	4	63%
Tenor	12	0	2	4	63%
Barítono	11	0	2	4	62%
Corno inglés	12	0	2	4	49%
Flauta	8	0	0	4	48%

"Shalom haverim" (Shalom chaverim)

Stulta Auricula

1:55	Est. Play Time
83	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	11	1	3	100%
	15	7	0	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	11	1	3	100%
	15	7	0	2	100%
Alto	8	4	0	5	91%
Soprano	8	0	0	5	88%
Barítono	11	4	0	5	78%
Tenor	11	0	2	5	74%

Oh Señor delante de ti (Carmelo Erdozain)

Stulta Auricula

2:02	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	1	3	100%
	10	1	0	3	52%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	1	3	100%
	10	1	0	3	52%
Soprano	8	0	0	5	91%
Barítono	6	0	0	5	72%
Alto	6	0	0	5	45%
Tenor	6	0	0	5	45%

"A Ti suspiramos" (Francisco Palazón)

Stulta Auricula

2:09	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	3	62%
	16	9	0	4	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	3	62%
	16	9	0	4	97%
Soprano Contralto	11	9	0	5	92%
Tenor Baritono	9	7	1	2	21%

En la cruz nos das la vida

Stulta Auricula

1:57	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	2	1	2	86%
	10	0	0	3	86%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	2	1	2	86%
	10	0	0	3	86%
Chicas	12	0	1	5	100%
Chicos	12	16	2	5	100%
Bajo eléctrico	13	0	1	4	86%

Stulta Auricula

2:02	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	21	24	8	5	97%
Arpa	34	66	12	5	70%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	21	24	8	5	97%
Arpa	34	66	12	5	70%
	16	8	5	3	97%
Alto	14	1	4	5	97%
Tenor	12	2	4	5	62%
Bajo	9	2	1	6	62%

Pan de vida (cuarteto cuerda)

Stulta Auricula

1:48	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	8	0	1	5	99%
	10	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	8	1	5	99%
	10	2	5	100%
Violonchelo	11	2	3	99%
Viola	10	2	5	97%
Barítono	8	1	4	95%
Soprano	10	2	4	95%
Tenor	11	1	4	95%

"Madre de los jovenes" (Cesáreo Gabaráin)

Stulta Auricula

1:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	5	3	3	87%
	6	3	0	2	87%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	5	3	3	87%
	6	3	0	2	87%
Guitarra clásica	9	1	1	2	87%
Bajo eléctrico	12	0	2	4	82%
Tenor	9	0	2	6	70%
Alto	7	0	1	6	69%
Soprano	8	0	1	6	68%
Barítono	10	0	1	6	67%
Flauta	7	5	1	5	33%